And somehow in the ins and outs of synchronicity, the day before Livy’s birthday—November 30th—I somehow begin melding with The Beatles’ “Norwegian Wood.” Again.
Year after year, sometime before the last day of November, returning to the ballad where John sings that he once had that girl but wait, no: she’s the one who had him. 2020, 2019, 2018, 2017,….my space becoming the quiet solitude of an evening around the warmth of a fire and a girl who just landed in my life.
And I remember that day of holding Livy. Knowing in an instant (instinct) that gathered into my arms was now the potential for every single bit of love and agony possible to have within one life.
For I’d even worried I wouldn’t love her as I did Julia; that was a real thing for me. Julia was early, born 7 weeks before she was ready then hooked to IVs—“she might die; be blind, deaf; have disabilities”—and before I left the hospital, I’d managed to move the mountain called “should I let my heart fully know her lest she die?” Because that’s what people do; they stand guard over their potential devastation, trying to sweet talk it. Yet I’d found it in me to love her with a passion that conquered the saddest parts of myself and floated through sterile, hushed corridors like magic, with air under my feet like a fairy. Like a rainbow. Like an angel.
Julia was to love beyond words and platitudes, in a way I couldn’t see what I’d even been before. Julia was a Now moment of revelation, my best self, my biggest heart. I didn’t see a “me” capable of being better.
But Life moves us into the more beautiful homes of ourselves. Sitting in rooms of rugs and warmth is the uncertainty of it all, ever pushing us to surrender to vulnerability in order to write melodies with sitar’s and wood.
And on November 30th, 2000, Olivia Grace Plimpton was born at LDS Hospital. Three weeks early. My mom and 2 year old Julia at the hospital for the entire labor—Julia carrying her stuffed Cat in the Hat, me coloring with her through the pain—and James rushing in from a business trip seconds before Livy’s birth. The hospital staff having told him to park in the loading zone and run upstairs or he’d miss it.
And I held her, my baby, my second girl, and like the song’s first line, she had me.
For of course, I loved her—them—in full knowledge at that point of the attempted deceit of my own heart. And at the core of my self discovered that they were not mine but rather I was theirs, with a certainty that had already invited doubt to have a seat in a warm room belonging to a bird that would fly away.